Hopper was a keen film-goer and his paintings of self-absorbed, lonely, disconnected people, often seen through a window, had inspired other film-makers like Alfred Hitchcock.Īs Spud struggles to rebuild his shattered life, the desolate landscape surrounding him is akin to images from Picasso’s Rose Period, his struggles with addiction characterised by the Nosferatu shadow on a wall. A cropped bay-window scene in Montpelier Park reminds one of the works of American painter Edward Hopper’s classic film noir. Throughout the film there are constant references to art works and to horror films, the Shining in particular is drawn from directly. Early scenes at Arthur’s seat, where Renton and Spud discuss dealing with drug addiction, are set against the stunning Edinburgh landscape. The sequel to Trainspotting has much to admire.Īnthony Dod Mantle’s cinematography is gripping, offering a beautiful, painterly, landscape, reminiscent of Claude Lorrain. “Strange how people who suffer together have stronger connections than people who are most content”.Ī recent cardiac episode, an impending divorce, the loss of his job, and with nowhere else to go, a heroin-free Renton returns to Edinburgh from Amsterdam, twenty years after stealing a substantial amount of money from his ‘friends’.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |